Private Schools vs. Public Schools Essay -- Private Schools vs. Public

  Ã‚  Ã‚  Ã‚  Ã‚  As time has gone by, Americans have increasingly paid more attention to the schooling process, trying harder all the time to get the best education possible for their children. As a result, more parents are turning from the public school systems to the private schools. This happens for several reasons. First, students that graduate from private schools tend to be better prepared for college. Second, private schools open up many opportunities to succeed in the business world. Last, the private schools allow the parents and the student to decide which school they feel will give the student the best education possible. Overall, private schools offer a better education for high school students than do public schools.   Ã‚  Ã‚  Ã‚  Ã‚  Students that graduate from a private school tend to succeed more in colleges than students that graduate from a public school. There are several reasons that this occurs. First, the study skills that are learned in a private school far exceed the skills that are learned in a public school. One of the most important skills is being able to manage ones time effectively. Time management can be one of college life’s hardest habits to learn. The difficulty-level of each course also plays a large role in the preparation for college. In private schools it is expected that the courses will be more difficult than at a public school. The second area of strength is the peer pressure. In public schools the pressure is very rarely pressure to work hard in school, ...

International Communication Focusing on Fifa 2014

Vuvuzelas sound and it fills the stadiums with a noise that is still heard ringing in the ears of millions days later, even months after it has ended. The overwhelming feeling of excitement spreads through the veins of everyone watching and those on the edge of their seats just waiting for the next goal to be scored, determining who wins the world cup and takes home the famous gold â€Å"FIFA World Cup Trophy. † The World Cup is a tournament that comes every four years and lasts a month long with tournaments every day from June 13th- July 13th The World Cup brings in a whirlwind of excitement and emotions. This victorious event will be held in Brazil in the year of 2014 but before June 13th hits, there is a massive amount of planning to be done. With all the preparations leading up to the World Cup we will capture the trials and tribulations through the eyes of four locals in Rio de Janeiro. First, we will film one year before hand and capture everyday life without the World Cup. We will take a look at how Brazilians live their lives on a day to day basis without the chaos and media attention of the event. We will do this by following four individuals, interviewing them about how they feel about the World Cup and how it is affecting their daily routine. Our second round of filming will place our crews with the same four peole on the day of the first game in Rio de Janeiro. The World Cup takes the world by storm every four years. While in America, soccer has just recently gained a large following, it has been a way of life for generations in many countries throughout the world. We can identify with this phenomenon somewhat if we relate it to the impact of the Olympics when they were held in Atlanta, Georgia in 1996. An event of this scale becomes all-consuming and places the city and country under a worldwide microscope. The World Cup produces a whirlwind of excitement with years of preparation that costs and generates millions of dollars. Many sports in America have a strong following and fan-base, but nothing can truly be compared to that of soccer overseas. Countries such as Mexico, Spain and Brazil look at soccer, its players, and the games, as a way of life. Brazil especially has been known for its talented and renowned soccer (â€Å"futebol†) team throughout the years and they have won five World Cups. From the outside looking in, Brazil has been known as one of the powerhouses, if not the powerhouse of soccer worldwide. The fact that FIFA and all of the other governing and deciding bodies have chosen to place the World Cup 2014 in Brazil generates further excitement, but also places this country under close watch from viewers worldwide. As we saw with the World Cup 2010 in South Africa, a country can be drastically altered and affected by such a large-scale event. We want to create this documentary to shed light on the impacts, trials and jubilation of such an incredible event. While many see the benefits of hosting such an event, there are plenty of drawbacks as well. We want to create an in-depth look of this phenomenon, the World Cup, and show also how it affects the country that is producing the event. So much goes on behind the scenes and many lives are impacted, whether negatively or positively. By following four real people with everyday jobs and average, normal lives, we hope to inform the public of the on-goings of the preparation for the World Cup, as well as how individual lives are impacted. We want to follow four people; a ticket scalper, police officer, a fan and a street vendor. Through this we hope to achieve a more personal view of such an immensely grand event. We want to inform the public of the preparations involved in the World Cup as well as the madness that ensues once it all begins. We will chronicle this massive worldwide soccer tournament through the eyes of normal everyday Rio de Janeiro citizens in the attempt to show a real-life perspective of a fantastical and media-centric event. While there are documentaries aplenty, ours is unique in that it shows the impact on a country and its citizens, something many viewers of the World Cup never consider. By creating a personal and impactful narrative that comments on economic repercussions, nationalism and pride, we hope to appeal to viewers who want to see a cultural view of soccer that has never before been created. Nicknamed â€Å"Cidade Maravilhosa† — Portuguese for â€Å"marvelous city† — Rio de Janeiro conjures many images including Ipanema Beach and the famous Cristo Redentor statue atop Corcovado Mountain. But in 2014, one of the most important global sporting events, the World Cup, will arrive in Brazil where soccer — or futebol as they know it — is the lifeblood of the culture. After FIFA announced Brazil as the hosts of the 2014 World Cup on October 30, 2007, a different set of images would materialize for the population of Rio de Janeiro. Once upon a time it was the site of the final match of the 19 50 World Cup in Maracana Stadium. Uruguay came from behind to beat its host 2-1, even though Brazil was heavily favored after eliminating previous opponents Spain and Sweden. Since then, Rio de Janeiro has been home to some of Brazil’s most popular soccer clubs: Botafogo, Fluminense, Vasco da Gama and Flamengo. With a past and present such as this, tensions and expectations will undoubtedly be high, especially where soccer is so inter-meshed with their culture. Choosing to film in Rio de Janeiro will capture much of this drama associated with the World Cup as we follow our four subjects: the police officer, the fan, the street vendor and the ticket scalper. In general, we want to keep the area surrounding Maracana Stadium as our locus of interest, but this isn’t necessarily realistic. The subjects have dynamic lives each and every day, especially as the World Cup draws closer, so it may be difficult to remain under the shadow of the venue. As each subject travels through different areas of the city, the camera crews will have to make critical judgment calls about when to uncap the lens. Our film crews can expect to capture the best footage in some of Rio de Janeiro’s most exciting sites. The city is known for its soccer, tourism, night life and beaches, but we will want to focus on the North Zone. It contains several neighborhoods and important tourist attractions, including our primary filming location, Maracana Stadium, which is located in the Tijuca neighborhood. It is home to many of the middle class residents and also the lower class favelas, which are crime-ridden neighborhoods filled with poorly built shanties. Our police officer will certainly be answering calls from this poor section of Rio de Janeiro where our ticket scalper is a resident. Our street vendor and soccer fan will also be residents of the Rio North Zone. It is there in the North Zone that we will want to follow each of our characters into their homes. Once inside their homes, our camera crews can film the effects of the World Cup on the Brazilian household unit. We will discover just how the home family life is transformed both demographically and psycho-graphically. Questions can be answered such as: a) Has new disposable income, as provided by the World Cup’s economic opportunities, increased the family’s standard of living? b) Has Brazilian pride in its national sport entered the home life? c) Has the importance of home security changed due to the hysteria associated with the World Cup? Once these questions are answered, a more complete view of the character is revealed and analyzed by the audience. Another set of important sites will be public centers for transportation. The primary modes of transportation are by municipal train and bus lines since driving by car is very difficult. Due to a great deal of highway congestion, cars often move at a snail-like pace. Important themes will manifest themselves as we travel to and from each location. These places, which are usually replete with a colorful culture, will be amplified in the presence of the World Cup. The documentary will actively connect the dots between Brazil’s national pride and their national sport at these various locations. The Maracana Stadium will be the most important site. There we will capture each of our characters’ paths intersecting outside and inside the venue. The fan will obviously be destined for the stadium itself; the street vendor will set up shop as close to the stadium as possible so as to snag the most consumers as possible; and the policeman will have critical interactions with the ticket scalper, who will be acting against the law. Many memorable characters exist in a documentary just like any other genre of film. The goal is to capture reality but there is no need to move away from the act of story telling. The idea behind the characters of our documentary is that they are all connected through each other by the duties they perform throughout the documentary.. Our first character to appear is the police officer. Juan Sminho is 38 and works for the Rio de Janeiro tourist police. He performs regular policing in the streets of Rio by assisting tourists and pointing them in the proper direction to where they are headed. Juan also performs similar duties to what the united states police force does but he is not as involved with crime as our police forces are. He lives on the north side in a two bedroom apartment with his wife and brother. He does not come from a wealthy family but did inherit some from his parents when they were murdered 10 years ago in a robbing which pushed him to become part of the Brazil police force to keep things like that from happening to other families. He will show the audience what it is like in everyday life as a tourist officer, then there will be a dramatic change of pace a year later on the chaotic streets of Rio where his duties are truly put to the test with all the tourist in town for the World Cup games. Juan’s duties will be to perform crowd control, assist tourists and seek out ticket scalpers; this is a highly illegal offense in Brazil. Most everyone has seen a ticket scalper before, but if not, they are the ones that stand on the corners of concert/sport venues and sell those last minute tickets needed for the fans. Ticket scalping is very illegal in Brazil and punishable by jail time, but that does not stop our scalper from risking it all for some extra cash. We will follow Gustavo Silva, a thirty-four year old Rio native who has never left the North region. He works as a ticket scalper primarily, but during the slow months tries to make ends meet by helping out at his parents' modest fruit stand in the outskirts of Rio. The popularity of soccer as a sport, particularly in Brazil, directly effects his livelihood and well-being. Seeing Gustavo in his element both before and during the World Cup will create a dynamic story for the viewers. Viewers will identify with Gustavo's endearing and persuasive personality because of his hard-working attitude. Ticket scalping just became illegal in Brazil, which is obviously a threat for Gustavo. The documentary will show the discrepancies in this law as it is not seriously enforced until the World Cup in 2014. The effects of this on Gustavo will prove to be detrimental. With money being tight and having to find work wherever possible, some residents of Rio do not have a choice. Our team has high hopes for our scalper that he will sell a ticket to our next character, the fan. What is a team without its fans; similar to a sandwich without bread. A sandwich does not exist without bread much like a team would be nowhere without fans. Soccer fans have been seen taking their â€Å"fandom† to the extreme, but the more extreme it is, the more the team feels honored and welcome. Brazil soccer fans are famous throughout the world for their enthusiasm and carnival atmosphere at the World Cup. Many soccer managers will often claim that soccer fans can act as an extra man or the infamous â€Å"12th Man† and this is certainly the case when Brazil plays in front of over 100,000 soccer fans at the famous Maracana Stadium. The fans are not always as supportive though, in fact, they can be rather harsh. This was shown when the team came home after the 2006 world cup without a win, according to Kevin McNally of E-zine Articles. We hope to capture all this excitement while following around our dedicated fan, if Brazil loses then it is possible that our film gets even more interesting with the outrage that the country will have on them. Choosing a fan for our documentary was tough but we have found one who truly shows the spirit needed to connect with our audience. Paulo Cardoso is originally from Rio and lived there until he was 18. Once old enough, he moved to the United States to attend college but soon wanted to return to his home country after graduating. Paulo is a business major but is currently working at his parents coffee shop as a manager to help them out. He is 28 and has been an avid futebol fan since he was born, according to him. Every four years he gathers around the big screens in Rio to watch Brazil triumph, or try to, over their competitors. He will take us through the festivals in Rio including â€Å"Fan Fest Rio 2014. † His grandfather attended the World Cup in 1950 when it was last held in Brazil followed by the World Cup in 1978 held in Argentina and this time Paulo’s father went alongside. Paulo has been saving as much money as he can to be able to hold the tickets that so many others strive to have. He does not plan on buying a ticket before the games due to hopefully cheaper prices on game day. He will be a huge help on guiding us around Rio due to our unfamiliarity to the city. Paulo brings to the documentary the familiar language of English but with the Brazilian traditions that we could all stand to learn from. He as well as many other fans will interact with many people but as always, he will buy some form of merchandise from a street vendor before the game. This will allow for our fan and street vendor to interact with one another. There will be a numerous amount of street vendors trying to sell anything they have that represents the world renowned Brazil â€Å"Futebol† Team. Our film crews will follow around one vendor who sets up shop close to the stadium in hopes of catching the most business. Gearing up for the World Cup takes a lot of preparation, which is why it is imperative that we catch her one year before hand before she starts ordering merchandise and preparing for the mass amounts of fans to flood the city of Rio. Claudia Trigoso, 26, lives in the favelas in the North Zone of Rio de Janeiro. Under normal circumstances Claudia deals with irregular employment due to his low socioeconomic standing, but the arrival of the World Cup will give her the opportunity to transform her situation. She has applied to Eurosport catalog to sell some of their merchandise near Maracana stadium. Soon, with the proper licenses, she will be cleared by Rio’s municipal administrators to set up in this area. Claudia hopes she can make enough profit to start a business of her own after the World Cup and its excitement wane. With this in mind, she might someday have the opportunity to move out of the North Zone favelas into a safer, more affluent neighborhood where she hopes to start a family of her own. In addition to highlighting the changes from life before the World Cup to life uring the tournament from the perspective of our four main characters, our camera crew will venture out into the streets and local pubs. Our crew will conduct first-hand interviews with everyday citizens to get a better grasp on the impact of the World Cup on the people of Rio. The filming crew will ask the public questions pertaining to how the World Cup has economically impacted their businesses, their transportation around the city, and whether or not they will be watching or attending the World Cup. There are many components that go into making a documentary outside of the characters, locations and themes. While the overarching themes will make a large impact on our viewers, the intricate details disbursed throughout the film will contribute drastically to the overall feel of the documentary. Throughout the documentary our characters and locations will be introduced using typewriter text as it is typed across a blank screen. The segments will not necessarily be rigidly formatted but the characters will be introduced as they fall into place in the documentary. Aside from the interviews included in our film it will primarily remain in the observational category of documentary film making. By taking a third-party neutral approach to the film the audience will get a realistic and personal view into the lives of the residents of Rio. Our documentary will target a large demographic due to the emotional and sports aspects as well as the excitement generated from the FIFA World Cup overall. We hope to target ages eighteen to fifty by placing this sixty minute documentary on a major network such as ABC. We initially contemplated airing the documentary on ESPN because of its sports focus, but eventually agreed that ABC would be the best choice. Not only is it a well-respected major network, but our aim is to capture the World Cup viewers for our documentary. By airing Joga Bonito on the network that is already broadcasting all of the World Cup games, we will grab the attention of the avid soccer fans who will hopefully already be watching ABC (the World Cup games will be used as somewhat of a lead-in for our documentary). In order to generate even more viewers, we will air advertisements throughout the month of the World Cup tournament to create buzz and excitement. Throughout this month, the public will have plenty of time to hear and read about our documentary. The documentary â€Å"Joga Bonito† will air as a prime-time special a few days before the World Cup finals. The title of our documentary, Joga Bonito, is meant to evoke the spirit and essence of soccer and of Brazil. This term is Portuguese for â€Å"The Beautiful Game† which is commonly used to describe Association football, also known as futebol or soccer. When soccer was originally created and rules were formally established, it was referred to as â€Å"The Simplest Game†. This eventually evolved into The Beautiful Game, or Joga Bonito, when a famous Brazilian player named Pele named his biography The Beautiful Game. Because this term is now widely used when referring to the sport of soccer, and because of its roots and foundations in the country of Brazil, we saw Joga Bonito as a fitting title for our documentary. Joga Bonito will, as previously stated, offer to its viewers a discourse of national identity and the impact of the World Cup on the citizens of Brazil within the context of an emotional adventure through the streets of Rio. The juxtaposition of a personal look at the four characters and the mainstream international media event known as the World Cup will create a unique and powerful documentary. This concept appeals to the masses because it addresses a worldwide event. Within this discourse, however, we visit the personal implications of such an event and the role of nationalism and pride within an international context. By contrasting life before the World Cup with life during one of the first games, the drastic cultural and societal changes that occur in preparation of such an event will be highlighted. The emotional appeal of this documentary will intrigue viewers while informing them of international life and the results of an event that thrusts a nation into the international spotlight.

The Role Of Lindsey Smith On Alcohol Dependence And The...

Case Study Lindsey Smith, (32 years old) is divorced mother who is being treated for alcohol dependence and the abuse of prescription drugs. Lindsey is employed as a veterinary assistant at the VCA animal hospital in Apple Valley, Minnesota. She lives with her daughter, Emma (9 years old) in an apartment located near her job at the veterinary clinic in Apple Valley. Lindsey has managed to support herself and her daughter without financial support from Christine s father. Lindsey was briefly married to Emma’s father Benjamin (37 years old) when she was 19, but left him after he became physically and sexually abusive toward her. He also was an alcoholic. She does not have any contact with him because of his violent tendencies. She also does not talk to him in fear that he will try to get full custody of Emma if he finds out she is no longer sober. Her mother Karen (55 years old), is a strong support for Lindsey and Emma and been there for Lindsey through everything. She maintains contact with her two cousins on her mom’s side. Tiffany (30 years old) and Brooke (34 years old) but has not seen them since she started drinking again. Lindsey is the youngest of three children Jim (33 years old) Sandy (35 years old) and Kelsey (36 years old). She has no contact with her siblings due to her chemical use. Lindsey reports growing up in a middle class family and states that her childhood was okay despite her father s alcoholism. Social learning theory could play a big role inShow MoreRelatedMarketing Mistakes and Successes175322 Words   |  702 PagesCincinnati; Y.H. Furuhashi, Notre Dame; W. Jack Duncan, University of AlabamaBirmingham; Mike Farley, Del Mar College; Joseph W. Leonard, Miami University (OH); Abbas Nadim, University of New Haven; William O’Donnell, University of Phoenix; Howard Smith, University of New Mexico; James Wolter, University of Michigan, Flint; Vernon R. Stauble, California State Polytechnic University; Donna Giertz, Parkland College; Don Hantula, St. Joseph’s University; Milton Alexander, Auburn University; James

Success Or Failure Of Leadership - 1628 Words

There are various different ways that lead to success or failure of leadership. Since the actual leader is the most significant part of the process, they are usually to blame. A successful leader has the authority to transform his or hers subordinates and followers, even to the point of changing the environment which he was chosen in. A bad leader would try changing the culture that had already been established before him and destroy it. For example, let’s take Carly Fiorina, the former outside(not within) CEO of the company HP (Hewlett-Packard). Carly had first started the position in 1999 headstrong about changing HP from a company known for its printers and cartridges to a company known for innovation. She managed to raise earnings†¦show more content†¦She rarely ever interacted with her subordinates or her followers which led to her downfall. Leaders are not always the problem for failure of the leadership process. Many times, it may be the subordinates or the followers. An example of this is Yasiel Puig from the Los Angeles Dodgers. Puig, a great addition to the team is a big reason for the team’s problems. It has to do with his inability to be good teammate. Yasiel would do things from showing up late for games to getting in numerous confrontations with teammate’s. One of these confrontations included Zack Greinke and led to Puig having to be held back from fighting. Puig was also arrested twice for driving unsafely driving over the speed limit. One of his unidentified team members said at this point, it would be addition through subtraction.† to yahoo sports. Though he misbehaved on a normal basis and has a terrible work ethic his teammates knew he was one of the best players in the game. â€Å"That’s the biggest Catch-22† said the same teammate. In Puig s career he has maintained a . 294 batting average, 46 home runs, and 149 RBI’S. Having Puig on a team has its benefits while also having its negatives. Puig brings in money and skill, however, hurts the team’s chemistry. This is a good example of how a follower can destroy the process of leadership.

Essay on Informative Speech Outline-Childhood Obesity

Informative Speech Outline Jill Lesmann Oral Communications Cathleen Kruska April 9th 2015 Topic: Childhood Obesity INTRODUCTION I. Attention Getter: Hi, my name is Jill. I have been a pediatric nurse for almost 2 years now. According to the National Center for Health Statistics in 2011, childhood Obesity has more than doubled in children and quadrupled in adolescents in the past 30 years. And in 2012, more than one-third of children and adolescents were overweight or obese. II. Specific Purpose: I would I like to inform you all of childhood obesity and ways to get involved in preventing obesity in children. III. Thesis: Childhood obesity is a preventable disorder that could lead to other health effects,†¦show more content†¦TRANSITION: Finally, I will discuss ways to prevent childhood obesity. III. Main Point #3: Childhood obesity is preventable. I think that parents and caregivers just need more insight of what it can lead to, not just worrying about body image. IV. I have provided a bar graph for you to show the increase in childhood obesity over the years and to provide visualization that this is still an ongoing problem. As you can see by the chart, the rate of obesity from the 1970’s to the 2000’s the rate has increased dramatically. A. Prevention or treatment of this problem means a change of attitude, developing a healthy lifestyle, including physical activity and healthy food and drink choices. 1. Activity level and food choices are influenced by family members. If the parents adopt healthy eating habits, then the child will form these habits as well and could likely carry that into adulthood. 2. It is also important for parents establish a routine of physical fitness into the child’s life. You could go for walk, go hiking, bike riding, or got them involved in sports at your local YMCA. If physical activity is not a part of the family’s life, it may be difficult for the child to pick up these habits and could be just an ongoing issue that gets passed on through generations. 3. Another important key toShow MoreRelatedChildhood Obesitiy Essay698 Words   |  3 PagesInformative Speech 1 Outline Childhood Obesity Planning Block General Purpose: To inform Specific Purpose: To inform the audience of the importance of childhood obesity Central Idea: Childhood obesity is an epidemic that is sweeping across America and will continue to get worse unless the problem is faced head on. Introduction Hook: Introduce myself. Then start talking about the â€Å"Maury Povich† show when there are fat babies. Then talk about how they think it may be funny/cuteRead MoreEssay on Outline for Speech1256 Words   |  6 PagesInformative Speech Outline Title: Child Obesity, a â€Å"Growing† Concern Topic: Most Prevalent Causes of Obesity in the U.S. Specific Purpose: To educate the audience on the key causes of the increasing obesity rate in the U.S. among adults, but especially among youth. Thesis Statement: The main contributors to obesity among adults, but mostly among youth are environmental factors, lack of choosing nutritious meals, portion distortion and the factor that fuels all of these, advertisingRead MoreExploring Corporate Strategy - Case164366 Words   |  658 Pagesblockbusters. However, consumer brand loyalty may then provide defence against generic competition and prolong the product life cycle. Occasionally a brand which struggled as a prescription product can ï ¬â€šourish in the OTC sector – for example, Xenical for obesity, which appeared to be a greater issue for consumers than health care professionals. A ï ¬ nal important category of medicine is vaccines. Prophylactic vaccines often provide lifelong protection against serious diseases, preventing at least 3 million

Role Of Socialization Free Essays

Family is the first social agent which individuals are exposed to; they are the primary source of colonization (Bryn Lie, 2012). This social agent is responsible for teaching individuals about ‘self â€Å"a set of ideas and attitudes about who one is as an independent being† (Bryn Lie, 2012, p. 58). We will write a custom essay sample on Role Of Socialization or any similar topic only for you Order Now A functionalist view would argue â€Å"family is the most important agent of primary colonization, the process of mastering the basic skills required to operate in society during childhood† (Bryn Lie, 2012, p. 60). Language is one concept aught by the family in order to communicate, without a basic form of communication fitting into society would be near impossible. Teaching children how to speak is considered part of being a parent and is not questioned; bad parenting in turn would lead to bad colonization. Families also provide ‘class’ and how you as an individual, and family, fit into the order of society. Wealthy families may be able to provide different opportunities versus poor families, and different values may be taught such as wasting food and saving money. The lessons children are taught shape how they will act in society and what they will think of themselves and others. School is another social agent which impacts an individuals understanding of self and society (â€Å"Agents of colonization,† 2013). School teaches individuals how to be a productive member of society and gives them the means in order to succeed in society. One example is learning to listen to and respect authority. This is taught from kindergarten on. If a child breaks the rule and disrespects their teacher, or authority, they will be disciplined and taught to not do that again. Without the understanding of respecting authority an individual will have a hard time fitting into society since there is always rules to follow and authority to respect; bosses, RACE, laws and so on. School also teaches a work ethic which is an important aspect of each individual. Bad work ethic can lead to being less successful in life, being an underachiever, and in turn not living up to what one could. Norms are also an aspect of society that are taught in school. An individual’s family is responsible for teaching communication and language, and the school builds on that basic knowledge to make it acceptable for societies standards. For example college students are expected to write at a specific level, in proper form, following rules and guidelines in order to convey their thoughts. If a student is unable to write at that level they will fail their courses and be unable to graduate in that program. The ‘norm’ for adults to be able to read and write with specific accuracy, without this basic understanding the adult may not be able to hold a stead job, own a house, find a marriage partner, or, have kids. This would in turn impact their understanding of oneself and how they fit into society. Peers are a third social agent, which hugely impacts and shapes our understanding of self. Interacting with peers teaches individuals what is considered normal and acceptable in society. From a young age children are taught to use words instead of hitting during an argument. This lesson carries forward and is a crucial part of colonization. As an adult one cannot hit somebody because they are upset- that can lead to a criminal charge (Barbour, 2008). Peers also teach sharing from a young age, which follows through to adulthood and an integral part of society. In adolescence peer roofs promote individuality from family, and finding oneself. Among peers adolescents are able to make choices on their own and learn from their own mistakes, and not the guiding of parents and authority. Peers also offer a challenge to individuals. Prior to having friends individuals are influenced by family, however, once peers and friends become more involved in their lives they are opened to new views and opinions that may differ from their own (Barbour, 2008). Gender roles are also another aspect of society, which peer groups heavily influence (â€Å"Agents Of colonization,† 2013). Boys and girls are treated differently, social expectations are placed on the different genders, and masculine and feminine ways are taught. Peer groups can have a negative social influence as well. Cliques, gangs, and peer pressure are all aspects of peer groups, it is up to the individual to chose right from wrong and look at how those peers will negatively effect them. Functionalist theory can also be applied to this agent of colonization, since functionalist look at † how colonization helps to maintain orderly social relations† (Bryn Lie, 2012, p. 60). A functionalist would also argue â€Å"social structures are based mainly on shared values† (Bryn Lie, 201 2, p. 12). That would explain gangs, cliques, and groups among peers. Mass media is one of the biggest social influences. All individuals have access to mass media in some form. TV, internet, social networking, advertising, videos, newspapers and books are just a few of the forms of mass media, which we are surrounded by. Media influences how individuals think they should view themselves; fat, skinny, popular, rich, different etc. Media also influences what we view as norms; fashion, technology, hair, engage, posture etc. With both norms and views individuals are faced with expectations of society. For example if you want to look rich and sophisticated you must drive an expensive car and wear expensive clothing. If you want to have an attractive boyfriend you must wear reveling clothing, act provocatively and be very thin. These are expectations that have been placed upon individuals by the mass media, and although they are not always true, they are viewed as the way that society works. When you cannot fit into size O pants your understanding of self will be shaped as well because according to he media you will not be able to be successful and marry an attractive man, get a great paying job, own a house and start a family. All that is influenced from the media and shaped your understanding of what you can achieve in life and where you stand within society. By looking at all the different type of agents of solicitations it is easy to see how individuals are shaped based on the agents they are exposed to. Each agent has their own job in shaping individuals and teaching them lessons. The agents of colonization; family, school, peers, and media are what influence and shape our understanding of society and ourselves. How to cite Role Of Socialization, Papers

Remains of the day as a postmodern novel Essay Example For Students

Remains of the day as a postmodern novel Essay Postmodern literature has its many spokesmen. Many would agree that Kazuo Ishiguro is not the most typical representative of this somewhat anarchistic literary and social movement, but he is certainly one of its most subtle and valuable artists. He uses the principles of post modernistic writing in a very meaningful way, and only after a thorough analysis can one fully appreciate all carefully constructed and presented elements trough which he successfully delivers his story. Remains of the day, as a novel, is a unique example of how a story of a personal fate of one man can reflect on such large, historical and social scale. Above all other motifs, the one of history, especially personal, individual history is the idea that dominates all novels Ishiguro wrote, Remains of the day in particular. In Linda Hutcheons words the departure, rather than reworking of mimetic novelist tradition is a definition that helps understanding the mechanism, the strategy Ishiguro uses to communicate this story to the reader. Focus on biography, personal history represents a break with the traditional approach to history and historicity. Dealing with past (private or public) and confronting it, is an important subject that reoccurs within the discourse of British postmodern prose. Concerning Ishiguros work itself, and Remains of the day as an example of his manner of narrating, this subject of history is precisely the thing that dominates the discourse and captures readers attention (the plot in classical sense is quite static). Stevens, alike all of Ishiguros narrators, is not at all objective and trustworthy. His memory plays tricks on him (motif especially present in his earlier two novels with Japanese protagonists), his language distorts to reveal the actual truth that is buried under layers of self-deception. The language is seen as an important weapon, and as much as it is used by Ishiguros narrators, as the means of suppression of the actual state of affairs, it is also the very thing that unmasks them. The Suez Canal crisis and Nazi propaganda in pre-WWII Britain, as a historical background, are present in the novel, but they are tackled with in a rather indirect way, barely even mentioned. It is a scene set for the real history Ishiguro deals with, the individual one a retrospective of Stevens life. The socio- historical issues are present, but rather out of focus. Postmodern prose is by definition self conscious, full of inter-textual references. The intention is revealing its artificiality. An abundance of blank spaces, puns and irony serves as a constant reminder of the fact that postmodern writers do not attempt to create an illusion of reality, but quite the opposite. By emphasizing the actual body of a novel as a construct, they, more or less successfully, attempt to provoke an inner dialogue, a discussion between the reader and the writer, or the narrating character. The reality, claims the postmodern fiction, is already irreversibly compromised and altered by the cognitive mechanisms and even more so, the language itself. In this novel, the use of the language is to reveal the character behind it, although at the beginning it is a weapon Stevens uses to disguise the truth. The style Stevens uses, particularly his formal tone and the choice of certain words (bantering) excellently present his character. Often he even repeats some phrases, or sentences, word by word. However, Ishiguro himself is rather reluctant of making the techniques he applies too visible and obviously revealed in his writing. He states: or me, while the nature of fiction or fictionality are things that writers might need to be concerned with to get on with their work, I dont believe that the nature of fiction is one of the burning issues of the late twentieth century. Its not one of the things I want to turn to novels and art to find out about. The artificiality of fiction is something he doesnt directly insists on, but certainly makes a good use of it in his work. This fine balance between realism and experiment is probably best achieved in this particular novel. The eclecticism of post modern culture reflects in the postmodern art. The identity of a subject also subdues to these tendencies. The previous, modernist attempts of making a literary subject a stable and realistic construct is replaced by characteristic lack of fixation, lack of concern about durability and persuasiveness. Literary subject becomes not only visibly artificial, but even fragmented. Stevens artificial behavior and unreliability of the story he is telling is obvious from the perspective of his lacking of personal moral perspective over the actions of his employer. The most obvious example is the incident of firing of the two Jewish maids, which is the clear hint to the reader that Stevens perspective of life in Darlington hall is distorted. When he needs to question his absolute attitudes of duty and professionalism- the tern he himself uses is dignity- he goes into extremes (death of his father) and refuses to face the reality. Mrs. Kenton, threatening to resign on account of that incident, makes no such mistake. The delaying to inform the reader about the important events (such as his conversation with Cardinal which is of a great importance to clarify the role of lord Darlington in the Nazi propaganda) This, again, shows his delusions and misplaced trust, and we must rely on the behavior of other characters rather than Stevens words. As Salman Rushdie comments, the story of Remains of the day, told by Stevens, is primarily about regret (although the ending rings a bit more optimistic than expected) The Duty, mask of formality, and dignity of a butler deprives his life from essential human values, private life and emotions. His chances of having a fulfilling relationship with Mrs. Kenton falls pray to his understanding of professional commitment. His rhetoric is completely formal, and he always seems to be debating, he seemingly tries to persuade the reader, and himself, in truthfulness of his attitudes, and, the more story progresses (until the culmination in his final breakdown), the more he realizes that he failed in the attempt to make sense out of the obsolete system of values that deprived his life of true meaning. He never becomes an individual in the true sense of the word- he only reflects his employers views, desperately trying to justify him. The ethical message of the writer is left for the reader to put together, and the narrator is an obstacle in this process. But, by the careful observance of deconstruction of Stevens facade, a careful reader may discover the real message Ishiguro is trying to deliver. The text is full of subtle hints, without vast number of characters, or shifting of readers attention. The historical circumstances conditioned the differences between the two generation of butlers- the generation of Stevens father and Stevens himself. Stevens realized that the real great decisions that influence the fate of the small man are really made in privacy of noble houses, like the one of lord Darlingtons. The history, through Stevens eyes, is understood as a wheal set of concentric circles, rather than a line with its beginning and the end (which is a typical view of history of a Christian civilization), and at the centre of it are the places of true power, the aristocratic hoses where the power is concentrated. The secrecy and deception of this shows the deceiving nature of modern world; the hierarchy, the order of modernist era shutters, its hierarchy becomes anarchy. The social, class element of the story is hereby strongly present, but again, the focus is on the tragic impersonality of lower class representatives, a servant, here a butler, and Remains of the day are actually the remains of Stevens wasted existence. The character of Stevens, whether or not redeemed by his final tears of regret, is very robot-like. He doesnt even have its own mistakes, opinions, whereas lord Darlington at least has the privilege to make certain (although wrong) decisions. The new, changed view postmodernism introduces contrasts the system of values typical of modernism. What is moral or amoral in literature becomes relative; the certainty in the supreme nature of art disappears. The system of values of older butlers and their code of behavior of Stevens father is no longer unquestionable. New epistemological questions arise, creating confusion and doubt, but also a certain relief and new-found freedom of choice. This is what Stevens fails to perceive, rationalizing his life-style and actions in a self-deceiving way. The ultimate breakdown of the old philosophy, and with it, the old life style and metaphysical system of values, was inevitable. There is an opportunity for a change through the acceptance of the new, represented his new employer places upon him. At first Stevens finds this bantering (a symptomatic expression to show the stiffness of Stevens character) repulsive, and reacts completely inadequate. His attempt to apply his obsolete ways of rezoning to something that should be completely spontaneous and relaxed is one of the humorous moments of the otherwise rather gloomy novel atmosphere. This ironic approach can be seen as another marker of postmodern fiction. The author no longer attempts to be a prophet of a dying world, who indulges in metaphysics, and is in a deep search for the meaning of life through art as its medium. Now, there is no deeper meaning, no stability, nor attempts of coherent structure. If words themselves are deceiving, the structures they create are no more meaningful. What remains unspoken sometimes carries equal or greater importance than the word play. Narrative is now anti-narrative. The hero of the novel, Stevens, is not exceptional; he is weak, indecisive and utterly self-deceiving. His principles failed him, and what he sacrifices only goes to waste. But, he is not strong enough to face the truth. The elements of modernism which are sometimes considered to be the remnant of previous era of Romanticism, indirectly made possible the passive, or in the case of lord Darlington, affirmative attitude towards totalitarian ideologies of Nazism and Fascism. The romantic ego-genius only carries the mask of impersonality. The disillusionment of postmodernism sheds a new light over this, and in the Remains of the day, there is a sharp view of the dangers it brings. But this awareness also led to a drastic scaling down of expectations and aspirations, and as shown in the Stevens example, the process of facing reality is extremely painful. It is often stated that postmodernism reveals a gap between signifier and signified, language and supposed reality. Merging of reality and fiction, unreliability of narrators, subjectivism, brings language down to a level of self-referential code. When it comes to an attempt of objectivity, this code is found lacking. Let me put this heavy load down and take some of t EssayThe motif of falseness of Stevens conduct reflected trough language, shows the relative nature of ones identity, and how much it depends on various influences. Stevens basically has no idiolect- and which is understandable because of his striving to become completely unemotional. The more his attitude changes, the more his words become meaningful and sincere. An interesting example found in the novel: Stevens is having a rather uncomfortable conversation with a guest, Mrs. Wakefield, and she inquires about the authenticity of house ornamentation. She claims that the arches in one of the premises look 17th century, but she believes that they are actually a mock period piece. She praises their beauty, but still dismisses them as fake (very skilful, but a mock. ) Immediately after, she inquires Stevens whether he had worked for lord Darlington, which he denies. This passage emphasizes the motif of imitation- things are not what they seem at Darlington Hall, and a parallel of falseness is made between Stevens and the place he works in. Another example: In one of his conversations with Mrs. Kenton, she exclaims: Why, why do you always have to pretend? showing that his unnatural behavior is in fact quite obvious. The other characters, rather than Stevens, will reveal the objective state of affairs (if, regarding postmodernism, there even is one). As much as Ishiguros Remains of the day is a post- colonial, social novel about English cultural identity at a certain turbulent time of history, it is also a psychological novel about an emotionally inhibited individual, again as a product of an era that is in its decline. This is the matter of a true interest to the writer: not so much the questions of style of writing and the problematic of language use, but a personal (petite) history, in an adequate social framework. A particularly interesting comment Ishiguro made about the novel is the account of his attempts to expose a false idea of English cultural identity, based on a myth about the cultural-national values of the good old times: What Im trying to do there is to actually rework a particular myth about a certain kind of England. I think there is this very strong idea that exists in England at the moment, about an England where people lived in the not-so-distant past, that conformed to various stereotypical images. That is to say, an England with sleepy, beautiful villages with very polite people and butlers and people taking tea on the lawn The mythical landscape of this sort of England, to a large degree, is harmless nostalgia for a time that didnt exist. The other side of this, however, is that it is used as a political tool Its used as a way of bashing anybody who tries to spoil this Garden of Eden. This can be brought out by the left or the right, but usually it is the political right. This is the major flaw of the film that was made based on the novel shortly after the publishing. The plot-line, and even the choice of the actors (Anthony Hopkins as Stevens and Emma Thompson as Mrs. Kenton), who are somewhat of a symbol of Englishness to a foreign public, reinforces, instead of deconstructing, the very myth of the old English country house Ishiguro is truing to subvert. In the process of emptying himself of a personal history, and replacing it with a kind of secondary signification of who he is, Stevens becomes a myth of a Butler. His identity is possessed by the codes of behavior whose meaning he tries to embody, and, in postmodern terms (of Ronald Barthes in particular), Stevens degrades from an individual to a mere semiotic system. The better explanation of this process is perhaps the following: Myth deprives the object of which it speaks of all historythis miraculous evaporation of history is also the form of a concept common to most bourgeois myths: the Irresponsibility of Man. Similarly to Stevens being a mythological image of a butler, and therefore, a typical Barthesian myth, we are presented an image of Darlington Hall. Although Ishiguro primarily deals with a feud between illusions and reality, which takes place in a mind of one man- typical representative of lower class, the same process is visible and applicable to the entire society of respectable English gentlemen, embodied in the many visitors of Darlington Hall at the times of its prime. The unifying feature is, in fact, precisely the location where it all takes place. Myth of an English country house clearly represents a chosen emblem of what is considered to be humane, orderly and of enduring value. At the light of this it is obviously a subverting move to place a Nazi sympathizer and a number of manipulating politicians in such environment. The deceiving nature of the symbols Darlington Hall represents is made obvious when we realize that it is actually the setting for the secret political meetings, a place where the real political power is concentrated. It operates in the shadow of the protected, idyllic environment, behind the back of the people it represents. What is more, wrong and harmful decisions are made in a completely undemocratic way. The illusions Stevens cultivates about the competence of lord Darlington to deal with global politics last only while he makes no contact with the outer world; as soon as he moves away from the sheltered environment, the absurdity of his beliefs is clear. Without a context he can see himself in, he is useless, like a discarded object. Under the pressure of reality he is forced to face his empty personal life and the opportunities he wasted- no wonder he eventually bursts into tears. History as Stevens sees it, presented in an image of a wheel, is rather symptomatic and worth mentioning: entire world revolves around houses such as Darlington Hall, which are the centers of true power. The best a common man can do is to attend to its needs, give his small, anonymous contribution that will not be printed on the pages of history, but is nevertheless still needed. This disturbing image is a sharp contrast with the Taylor house, described as cozy, poor but clean place- there, anybody can engage in a political discussion, without being ridiculed or oppressed. The historical and political dimension in Remains of the day has been interpreted as the critique of imperialism and the British Empire. There are even some critics who refer to the novel as post-imperial. As such, it requires certain knowledge of certain historical events and people (the Prime Minister is obviously Neville Chamberlain, and the Black Shirts are the members of the British Fascist Party, etc. . However, Remains of the day is not a real novel of what is called historiographic metafiction, because of the somewhat different context of presenting history. The Suez Crisis that is to follow shortly after the time novel takes place (which is mostly during the July of 1956. ) provides an excellent background that clarifies the wider meaning of Stevens reflections. The historical fact is that the failure of England and France to enforce their dominance during the Suez Crisis situation marks the beginning of the end of Britain as the imperial and colonial force. The influence over the Middle East was lost, and the psychological impact of this was immense. A few months before all of this we see Stevens, who, as a former servant of prominent British aristocrat, reflects upon his life in a similar atmosphere of a loss and decline. The two histories: personal and global (petite and grand), intertwine and reflect each other. The product of these very historical circumstances is the era of postmodernism- some illusions were to be broken, some false ideals discarded. Postmodernism in general offers a rather relativistic view over every feature of life and art. Decentring of the arts follows the change in the balance of power in the world. There is no more a voice that represents art; there are voices; many of them were oppressed during the previous era. Every totalisation is being avoided. The Western civilization seems to become more heterogeneous and open to the idea of multiplicity, although still not tolerant enough to equally treat all the possible differences. The end of colonial era has also marked the end of a certain positivistic way of thinking; instead, there is a proliferation of voices, opinions, questions. The much needed critical distance from the often glorified past can finally be established, and all of the previously absolute concepts of literature undergo serious questioning, starting from style of writing, issues about the production of images and information, notions of identity, sexuality, politics virtually every possible problem the previous period ignored. The most important novelty is that, instead of attempting to discover universal truths and present the objective reality, most postmodernists believe that there is no way of managing to reveal what that reality is; the reason being the impossibility to achieve the unity between the signifier and the signified. The reality has become a greatest fiction of all. This curious moment in history where modern shifts into postmodern, when colonial, imperialistic Europe enters the cold war era, with its delicate balance of power, is presented through an individual destiny of a Butler (an occupation as obsolete as Stevens principles). Remains of the day is a story about a death of one system of belief, of one way of thinking. Awareness of all these factors gives the novel a number of new implications and possible points of view, and yet it never deprives it of its essential, humane perspective. That is probably why Remains of the day stays, to this date, Ishiguros most read and studied novel. In Ishiguros own words: I think its always dangerous to have a writer in a novel. That leads you into all kinds of areas, unless youre specifically interested in talking about the nature of fiction. But I try to avoid that very postmodern element in my books. I always try to disguise those elements of my writing that I feel perhaps are experimental. Im only interested in literary experiment insofar as it serves a purpose of exploring certain themes with an emotional dimension.